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Alexandre Alagôa



info
About
Contacts
Calendar

film & video
Canto, 2022 
framed, 2022
GRID, 2017-2021
Vortex, 2015-2017
Spectrum, 2013-2014

installation
Falling Eye, 2022
Metal Waves, 2022

music & sound
Untitled (Speaking in Circles)    
As if, 2020
To Be A Mountain, 2018

performance & actions
Untitled (Deadman), 2020
It Goes On Without Us, 2019 

objects
The Beginning, 2022
To Be With Time, Ad Infinitum
Untitled (Aeolian Harp), 2019
Untitled (There is no such thing...)

documentaries & videos essays
Towards the Grid, 2021
Entering the Maze, 2017
The Film as Film, 2016

turva
About
TRV004, 2021
TRV003, 2021
TRV002, 2020
TRV001, 2020

collaborations
Invenção da Amnésia, 2020
A + A + P + Z, 2019
RUA, 2019
Here and I, 2019
Z + Pedro / Alagoa, 2018  
 
archive
2022
2021
2020
2019
2018
2017
2016
Mark
framed, 2022


Digital Video, 1920x1440px, 4:3 Aspect Ratio, Color, Silent, 08'20''

Synopsis
Taking the window of his room as the main subject of the film, Alagôa emphasizes the basic elements of cinema: the frame, the screen, light, and movement.
Running on Cargo